Monday, 12 October 2015
Wednesday, 7 October 2015
|The location of the images, right beside reginalds tower and the reconstruction of a Viking boat,, thats them there on the right with the guy beside them|
|I only did the illustrations in the boards, not the graphic design, so the picture of the people and the boat isnt mine, but the boat prow above it is. In the other one, the two scenes are mine but the map isnt.|
|The painted the image of the boat prow|
|The two images of the town wall are mine, with the figures. They show the town wall as it was when it connected to Reginalds tower, the walls are now just in the pub beside, including some of the embrasure.|
A few months ago I was hired by Waterford Treasures to do illustrations for heritage signage to go up beside Reginalds tower.They put them up recently!
Friday, 2 October 2015
Recently I completed an image of a tower house, and I want to do a few posts about the making of the tower house, and perhaps give you a glimpse into the background work that goes into archaeological illustration., One of the harder aspects of archaeological artwork is you cant just make things up, your artwork has to be a combination of various forms of information e,g; archaeological digs, historical documents/books, site visits, contemporary artwork etc (though the combining of such evidence (ie the guessing) is where you get to add the art part), though sometimes you need to fill in the blanks too when there isnt enough evidence or you cant find the evidence.
Thankfully because of Sceitse (a sketch group I run) I have visited many, many tower houses over the years (and sketched them) so I have no shortage of the site visit type of reference. At the same time I often visit these kind of places on my own if they are near a place that Im travelling to or when the fancy comes to me. But while there are many fine examples, the one that is the best that I have visited is Kilcrea castle
I have visited Kilcrea castle twice, once just to see it and the second time because I knew I was going to try and remake it. One of the best aspects of the work I do is I get to spend a day in a place like this, really really getting to know it, inside and out, I love hanging out in ruins and trying to reimagine them. The tower house itself in the image is nearly entirely based off Kilcrea, both internally and externally . The idea of the image was to make a tower house that represented tower houses as a whole (or atleast a representational amount), which Kilcrea fit the bill well, while it didnt have all the normal features it was modest in size and grandeur, middle of the road. Especially the array of windows it had, it seemed to have nearly every window type found in tower houses.
Besides Kilcrea, I made a few other additions, majorly in the wall walk area (the top), as most of that was gone from Kilcrea and it is usually there that tower houses have the most bling. From Blarney Castle, I got the Irish form of Machicolation(an extended battlement which allowed defenders to drop stuff on attackers) and also from Blarney is the Bawn battlements. Most of the Bawn walls design are from Barryscourt castle, including the slight Batter at the bases of the towers (an extension at the base of towers to defend against battering rams) the irish form of Battlement is also from Barryscourt as well, with the aid of satellite imagery, I based the overall layout of the Bawn on Barryscourt, with alterations. Outside of that, Ballynacarriga castles Sheela-na-gig is on the wall and Dunlough castles bawn tower also influenced one bawn tower.
While site visits are paramount as its reading and researching another great reference is actual reference from the time. These have their pitfalls too, as the artists at the time could have been just winging it at times or biased or had an agenda of their own but they are the best evidence for the physical look for aspects that dont survive archaeologically
The images on the left I believe are from Barletts Map, these were early English Maps from the early 17th century, they mostly helped design the cobwalled houses in the image. I even used this map for reference of the bridge, such things rarely survive archaeologically The bottom right is a 17th century map of Carrigfergus, note the Creats, a type of late medieval Irish circular/oval house of just thatch and wattle, you cant see it well in the image but there is one in the bawn of my illustrated tower house the last house in the yard before the horizontally situated bawn house. Not just Irish illustration evidence was used though, the right top two were examples of medieval from other European countries Medieval manuscripts.
Alot of the houses are actually based off or influenced by archaeological excavations and historical documents/books as well as the contemporary illustrations shown here. But thats a post for another day.... perhaps.... hopefully ill be able to show the various ways I went about making the image in the coming weeks/months.
Recently I was hired to do a pet portrait, I have many pets over the years, which I have been close to, I always hated that word though, 'pet', doesnt really describe the relationship in my eyes. One of the things I miss the most about living in apartment is the lack of having pets, they are the best of company really. So when I was commissioned to do a pet portrait I was delighted to give it a go.
The first is a portrait of my dead pet, named Fritz, I took a run at him as a form of practice but also to remember what it was like to lose a pet and how much it means. The second is the actual commissioned portrait of Shelbie,
Tuesday, 29 September 2015
|The mountains the surround the cirque/corrie or coum which gives Coumshingaun its name|
|Walking up to the loch|
|Galty beg 2|
|The views were spectacular|
|The Corrie from above|
|Wondering in mist|
|We came out a few kilometres west than we were supposed to but was more an adventure that way|
|The verticals we wondered down on the way down|
For the 41st Sceitse on Sunday passed, we headed to Coumshinguan, a glacial lake surrounded by jagged mountains in the Comeragh mountains with commanding views of the rolling hills and flats of Western Waterford
More photos on Facebook:
Tuesday, 22 September 2015
Tower houses are a type of late medieval Irish castle, believed to have originated around 1300, or sometime within the 14th century, but most are probably from the 15th to the 17th centuries. They are found quite commonly around Ireland, an estimate on the number built ranges from 3,500 by some sources, to 7,000 by others, even today, most of Ireland remaining 3,000 castles are tower houses. By the 17th century, this would have made Ireland the most heavily castelllated part of the British Isles. The tower house signifies changes in Ireland, in one hand it shows a resurgence in Gaelic power in the west after years of decline following the coming of the Normans in from the 12th century. On the flip side it is a sign of the collapse of centralised power in the form of the English monarchy and a rise in decentralisation. This decentralisation of power was to continue in Ireland from the 14th century to the early 17th century with the final (and the first complete) conquest of Ireland by Queen Elizabeth.
Tower houses can be found elsewhere too, across the water in Scotland and Northumbria and on the continent in France also, some have even suggested at times these areas are the origin of the tower house in Ireland but most now believe the origin lies in a native progression, starting in the Anglo Norman areas and spreading West. It was in the West and south though, that they can be found in most abundance and also in the most evolved and elaborate forms. Tower houses were actually built by various parts of Irish society, while the major lords kept building large enclosure castles or extending them, some also built smaller tower houses, but it was mostly the lesser tenants who were building them, and it spread further down the chain to even priests and rich merchants building them in the towns. In fact some argue that the proliferation of tower houses was a sign of a new class rising and making itself heard.
It has been found in some surveys in certain areas, that 1 tower house in 5 has a Bawn wall in Ireland, a Bawn is the external wall you see attached to the castle shown here. The bawn here is based on a combination of evidence, including; Barryscourt, Dunlough, Kilcrea castles, among others. The actual design of the tower house itself though is nearly entirely based on Kilcrea tower house, in Cork, my favourite tower house and one which I have visited a few times and read extensively on. The only changes to the overall design of Kilcrea was the inclusion of a second chimney for the kitchen room inside, and the machicolation (the spikes you see that come down off the top floor, which had gaps in the floor to drop objects on attackers, based off Blarneys), I added these elements so the castle would be more representative of Tower houses as a whole. Also the crenellation (the regular gaps in the walls at the roof & bawn, which provided cover for archers) in the castle are a style specific to late medieval Ireland, the bawn crenellation are based off Blarney castle.
Notice as well how white the tower house is? This is probably how most tower houses would have looked, as they were coated with a substance called Harling, a mixture of limewash and crushed pebbles. Because of this, commentators at the time often mention the white gleaming castles of the Irish, as you can imagine these would have been visible for miles around and been quite a symbol of power and prestige. You may also see the little figure on the dark side wall of the tower house, these were Sheela-na-gigs, a type of sculpture common in Ireland at the time, this one is based off the one in Ballynacarriga castle. Tower houses are believed to have been surrounded by mixed farming, some cereal with animal husbandry too as shown in the illustration. Often they are found associated with churches and friaries, some were even built attached to churches, and some probably werent too far from some sort of clustered settlement. The natural landscape around the castle is actually inspired by the Lee valley basin around Kilcrea castle.Note as well the dry moat, not all tower houses had moats, but some did, like Kilcrea, so I included it here.
Notice also the slight batter (where the wall comes outwards at the bottom to defend against a battering ram), also in the bawn towers, which is based on Kilcrea & Barryscourt. As you can see though, the real bling in the tower house is the top of it, this is where most showing off happened with turrets, crenellations, chimneys, gabled/pitched roofs and machicolations, as shown here. Another place they showed off was the ashlar(fine finished masonry) windows, the top floor in Kilcrea was believed to be the hall with the floor directly below the lords chambers, hence why they have the nicest windows, especially the hall floor, which had 4 large windows like shown. Also notice the variety of windows, some were narrow slits just for archers to fire from inside, others have the addition of a cross slit, which could be used by crossbows too and then there were others with either triangular or circular holes, these were for later fire arms, some windows even had all three as shown here in the 1st floor window in the dark side of the tower house, the one closest to the light. All these windows, except for the decorative ones on the top floors, would have been splayed inwards allowing maximum cover for archers.
Apologies that I haven't mentioned much about the interior of the tower house, but I designed this illustration so I could also do the interior of it, which I will work on next in a cutaway illustration.
Here is a link to the tower house image so far in large if you want to see it in more detail:
1. Castles and Fortified Cities of Medieval Europe An Illustrated History
2. Castles- DK Eyewitness
3. THE TOWER HOUSES OF WEST CORK- MARK WYCLIFFE SAMUEL- A Phd Thesis- 1998
4. The evolution of the Irish tower-house as a domestic space- Rory Sherlock- Proceedings of the Royal Irish Academy. Section C: Archaeology, Celtic Studies, History, Linguistics, Literature, Vol. 111C, Special Issue: Domestic life in Ireland (2011)
5. Cross-Cultural Occurrences of Mutations in Tower House Architecture- Evidence for Cultural Homogeneity in Late Medieval Ireland?- Rory Sherlock- The Journal of Irish Archaeology, Vol. 15 (2006)
6. Tower-Houses and Associated Farming Systems- Muiris O'Sullivan and Liam Downey- Archaeology Ireland, Vol. 23, No. 2 (Summer, 2009)
7. Home Security: How Strong Was a Tower-House Door?- Duncan Berryman- Archaeology Ireland, Vol. 23, No. 2 (Summer, 2009)
8. Evidence for the Use of Timber in Mediaeval Irish Tower Houses: A Regional Study in Lecale and Tipperary- Marie Esther McKenna- Ulster Journal of Archaeology, Third Series, Vol. 47 (1984)
9. Dating Irish Castles- David Sweetman- Archaeology Ireland, Vol. 6, No. 4 (Winter, 1992)
10. The Origins of Tower Houses- T. E. McNeill- Archaeology Ireland, Vol. 6, No. 1 (Spring, 1992)
11. Tower House Origins-David Sweetman- Archaeology Ireland, Vol. 6, No. 2 (Summer, 1992)
12. Frowning Ruins: The Tower Houses of Medieval Ireland- Colm J. Donnelly- History Ireland, Vol. 4, No. 1 (Spring, 1996), pp. 11-16
13. The archaeology of Medieval Ireland- TB Barry
14. Medieval Ireland- Tadhg O'Keeffe
15. Castles in Ireland- Tom McNeill
Sunday, 6 September 2015
The 'Illustrating the Past' book, which has some of my illustrations within, along with great archaeological reconstruction illustrations of a few others, all of Irish archaeological sites, is now available online to buy!
Friday, 21 August 2015
My NRA archaeological illustration work, alongside the work of a few other archaeological reconstruction artists, are being published together in a new book by the TII (the new NRA) which will be launched next Thursday, the 27th of August in Dublin (ill be there!). The information on the launch was released by the TII as follows:
"The annual Dublin seminar, which this year will have papers on “The Archaeology of Roads and Light Rail” and will provide an opportunity to hear about some of the remarkable archaeological and historical discoveries from the Luas Lines and the current Cross City project. This will commence at 15.45 in the Wood Quay Venue on Thursday 27th August. The afternoon papers will be followed at 18.00 that evening by an address by the renowned archaeologist Julian Richards, who many will know from his work at Stonehenge and his television series “Stories from the Dark Earth: Meet the Ancestors Revisited” and “Meet the Ancestors” on the occasion of the launch of the first TII Heritage book “Illustrating the Past: archaeological discoveries from Irish road schemes”.""
Hopefully see some of ye there!
Tuesday, 18 August 2015
|Cé Heilbhic/Helvic Quay, its actually Waterford Gaeltacht|
|The sheltered little cove we did our sketch snorkeling|
|The sketch snorkelers with our waterproof paper & back boards, a normal wood graphite pencil is all u need ontop|
|The island we swam out too and climbed, you can see it there in the middle, was quite the journey out to it!|
|The fun results of our attempt at sketching underwater, mine is the bottom right hand corner|
|The Slip at Ceann Heilbhic/Helvic Head|
|An Coinigéar, a narrow peninsula that stretches across Dungarvan Bay|
Myself and some other intrepid sketch adventurers, went to Helvic Head over the weekend to see what happens when you combine sketching and snorkeling. The result was alot of fun! After we swam out to the nearby island and sketch snorkeled along the way, we came back and did a scenic drive around Helvic head checking out its piers, village and the narrow peninsula named 'An Coinigéar'
Wednesday, 5 August 2015
|The flint nodule with little quartzite pebbles found with it|
|The fossil under my magnifying lamp|
Brought over from Denmark for me, my mother found it on a beach there, which was pretty cool gift! On facebook we have been having this discussion as to what this pecular thing is. Those who know what they are talking about say its definitely flint, but what about the fossil inside, anyone know what that could be?
Sunday, 2 August 2015
|One of the many wedge tombs in a very small area|
|The reason I was up there, the first excavation of a wedge tomb in the Burren ever!|
|The strange revetment wall surrounding the tomb, which would have been used to hold up the cairn material|
|The inner wedge tomb, wasnt much left of it, just one of the side stones and the front entrance stone|
|Outside the tomb they found an inhumation! You can see the bones here|
|Nearby, the famous Parknabinnia Wedge tomb, another one crossed off the list!|
|The Cliffs of Moher. Not been here since I was 8!|
I was very kindly invited to visit an excavation of a wedge tomb in the Burren by Ros Ó'Maoldúin. Twas an unmissable opportunity to see the excavation of a wedge tomb first hand (the first ever Wedge tomb to excavated in the Burren!). While there he took time out of his busy schedule to show me around the cluster of wedge tombs around it, which can only be described as a Bronze Age wedge tomb cemetery (only in the Burren!). While there myself Ara, the other half, took the chance to pop over and visited the Cliffs of Moher after.
Sunday, 26 July 2015
1. Is a square headed light
2. Is a ogee headed light
3. is an arrow slot, with a cross section and a gun port (the circle), perhaps for use for arrows, crossbows and guns.
4. Gun port
5. Twin light with ogee head and moulding around the top
6. Arrow slot with cross section
|Ground floor entrance to the Castle|
|Murder hole in the lobby of the ground floor|
|Vaulted roof of the 2nd and 3rd floor|
|The door to the great hall of the castle at the top floor|
|One of the lovely windows of the great hall|
|The garderobe or toilet of the castle, wooden seats would have been over these holes|
|The wall walk of the castle, notice the spade like shape of the wall walk slabs, these were shaped with an inbuilt funnel to allow rain water run off the wall walk|
Currently Im working on an illustration of a late medieval tower house castle, I took the chance to pop over to my favourite castle again, Kilcrea and took a more thorough wonder around, examining it in detail for illustration.